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Forbes
Forbes
Lifestyle
Mark Ewing, Contributor

Rolls-Royce Red Carpet And The Phantom Lawyer

Phantom VIII remains unparalleled, the finest conveyance on the planet. The car simply has no rival, no peer.

Rolls-Royce called to offer a red-carpet experience for the premiere of “Dirt,” a surprisingly wholesome and well-paced coming-of-age movie set in the world of Pro 4 truck racing. The movie features a Rolls Wraith performing with muscular style in several car chases. Rolls dispatched a dark green Phantom VIII to the downtown Los Angeles offices of my lovely attorney. Exiting through the double-secret high-security doors on the back of the building, we found the car waiting in the shade, white glove driver poised to open doors and settle our briefs and garment bags into the trunk. Destination, Peninsula Beverly Hills.

Having driven Wraiths several times, including the Black Badge, I loved this chase scene, which endorsed Rolls-Royce’s metamorphosis since arrival of Wraith and Dawn. Here is a contemporary 21st Century Rolls-Royce shown for the muscular super coupe it is. Rolls has become a purveyor of some of the sexiest cars on the planet.

Nine months after Rolls-Royce CEO Torsten Müller-Ötvös offered a private viewing of Phantom VIII, and five months after driving Phantom VIII for the first time, opinions have not changed: Phantom VIII is the finest luxury car on the planet. Other fine sedans can serve, but from this day to the ending of the world no other car made in 2018 possesses the charisma and cultural distinction of Phantom.

Our Green Hornet Phantom VIII.

Because one of the partners at the firm knows the real Lincoln Lawyer—they attended Dodger games together for years—we had a good laugh about the Phantom Lawyer as we wafted to Beverly Hills, playing with the motorized crepe privacy curtains and the reclining, tilting, massaging seats. Much fun can take place in the Master’s compartment of a Phantom.

Beginning of our red carpet evening.

Peninsula Beverly Hills hosted we happy few members of the Rolls-Royce Posse for the afternoon, including makeup and hair for the ladies. Before saddling up for the trip to Grauman’s Chinese, we spent an hour in a secret garden at the back of the hotel for champagne and dessert—and one of the best hamburgers I’ve ever demolished.

At the Peninsula Beverly Hills, the pastry and confections chef produces a few dozen of these “Faberge egg” chocolate and ice cream masterpieces every day. Each one is unique, just like a Rolls-Royce.

Peninsula provides a flawless experience, anticipating what is needed before a thought bubble rises above a guest’s head. I stupidly left my phone amongst the desserts, Peninsula’s head of marketing found it, and chased me down as we were slipping into the Green Hornet, headed for the theater. He pressed the dimple to bring up the image of my Faerie Princess on the Lock screen, and said, “She looks like you.” He reminded of Hector Elizondo’s character in the 1990s rom-com “Pretty Woman.” If my lovely attorney ever becomes the Phantom Lawyer, I want to live in a suite at the Peninsula.

Our off-duty policeman at the wheel, White Gloves.

Federal law does not allow sale of Phantoms with a divider bulkhead and window, to separate driver and front passenger from the Master’s compartment. Shame, really. In other markets, owners commission Rolls Bespoke’s favored jeweler to set diamonds and other precious stones across an arc of wooden veneer. A divider seems wholly appropriate in an extended wheelbase car. One can indulge all sorts of trouble in the back of a Phantom.

Rolls-Royce Posse at Grauman’s Chinese Theater, ready to roll after premiere of “Dirt.”

Even with the front passenger seat adjusted all the way back to accommodate Rolls North America’s always-on force of nature PR man, my tall attorney could stretch her legs fully, toes barely touching the seat base. And note in the photos just how utterly massive those seats are, with extremely deep seatbacks that support and protect. Stand one on short wooden legs and you’d have a fine gentleman’s smoking chair.

Our Phantom VIII. Note the massive proportions of the seats, which offer unmatched comfort. Howard Hughes never holed up at the Peninsula, but it’s a great idea. They have Rollers to cart around favored guests.

Even with the U.S.-spec open cabin, the rear seats will gentle any man’s condition. Most Phantoms in the U.S. are standard wheelbase, no chauffeur. But Phantom VIII with extended wheelbase is a car best enjoyed from the rear seat, commanding view through the tall passenger cabin and down the long hood to the Spirit of Ecstasy—all juxtaposed with SiriusXM Deep Tracks playing on the stellar audio system thanks to that zany PR man up front.

Long and elegant, at the Peninsula. Phantom VIII is the best of its breed since the Phantom III of the 1930s. Subtle lines for a three-ton ship of state, several of them simply washing out, disappearing into the gorgeous formed body panels.

On our hour-long drive home in virtual silence, Phantom’s alloy backbone and several tons of refinement proved themselves beyond doubt. Only one time in a day and a night that covered perhaps 50 miles did a massive divot in the pavement make itself known as anything more than a distant timpani strike. I’m pulling hard on the laboring oar for my Phantom Lawyer.

Producer Ali Afshar in dinner jacket, with cast of the movie “Dirt,” proved surprisingly refreshing and positive, a tale of redemption set in the world of Pro 4 truck racing.
Kevin Dillon, of “Entourage” fame, plays a multiple champion superstar who struggles with the shift to team owner after a career-ending accident. And on cue, redemption arrives in the form of a troubled kid who has been caught thieving cars. “Dirt” is not like the smart but niche documentary about Baja, “Dust to Glory.” It’s a wholesome films about redemption and people bringing out the best in one another–a wonderful message these days. Lucas Oil’s Forrest Films/ESX apparently has several of these films in the can, built around motorsports platforms controlled by Lucas Oil.
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