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The Guardian - UK
The Guardian - UK
Entertainment
Wendy Ide

Queendom review – remarkable portrait of a fearless activist

Gena Marvin in white face-paint and black latex-type suit astride a horse in front of Red Square building.
‘Her own extraordinary creation’: Gena Marvin in Red Square in Queendom. Photograph: Publicity image

Protest takes many forms. When Russia invaded Ukraine in February last year, some brave souls took to the streets of Moscow to voice their horror at the war, and were met with batons and police brutality. Radical queer performance artist Gena Marvin took a different approach. Wearing platform boots, body paint and wrapped in barbed wire, she walked the streets of Moscow in a stark, silent statement against the war. To call Gena a drag artist fails to capture just how subversive and courageous are her public “performances”. Her otherworldly costumes, created from junk and tape, show the influence of Leigh Bowery; her fearlessness evokes the punk provocation of Pussy Riot. But ultimately, as Agniia Galdanova’s remarkable observational documentary shows, Gena is her own extraordinary creation.

Watch a trailer for Queendom.
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