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The Guardian - UK
The Guardian - UK
Lifestyle
Rowan Moore

Postmodernism – In pictures

Architecture: SIS Building
Terry Farrell's MI6 HQ in Vauxhall, London "whose robotic forms a peevish critic once compared to Arnold Schwarzenegger" Photograph: Tim Ireland/PA Archive
Architecture: UK - Landmarks - SIS Building on Albert Embankment
Another shot of the MI6 building which locals refer to as Legoland Photograph: Kieran Doherty/Reuters
Architecture: USA - Tourism - Architecture - Portland Building
Michael Graves' municipal building in Portland, Oregon, with its distinctive block-like design and square windows, was postmodernism's "first major monument". It opened in 1982 Photograph: Harry Melchert/Corbis
Architecture: Terry Farrell, TV-am Building exterior, 1983
By one definition, postmodernist architecture "favoured ornament, ironic wit and bright colours". Terry Farrell's TV-am Building exterior in Camden, 1983 is a prime example of the style Photograph: V&A Images
Architecture: Terry Farrell, TV-am Building, hospitality lounge, 1983
An interior shot of Terry Farrell's TV-am Building, 1983 Photograph: Richard Bryant/V&A Images
Architecture: Portrait Of Johnson With Model Of AT&T Building
Postmodernism, seen by many as the style of the counterculture, was rapidly consumed by corporations such as AT&T. Here architect Philip Johnson poses with a model of his newly designed AT&T building in May 1978 Photograph: Bill Pierce/Getty Images
Architecture: Sony Building
Johnson's AT&T Building in Manhattan, now the Sony Building, was completed in 1984 "and drew immediate comparison with a Chippendale bookcase" Photograph: Alan Schein/Corbis
Architecture: The Swan and Dolphin Resort, Walt Disney World, Orlando, Florida
Another corporation that adopted postmodernism's style was Disney. The Swan and Dolphin Resort at Walt Disney World in Orlando, Florida, designed by Michael Graves opened in 1990 Photograph: Victoria Slater-Madert/V&A Images
Architecture: Grace Jones maternity dress, 1979 by Jean-Paul Goude
Postmodernist ideas spread from architecture to all areas of popular culture – from film to graphics, music and fashion. In 1979 Grace Jones had a constructivist maternity dress designed by her then-boyfriend, stylist Jean-Paul Goude Photograph: Jean-Paul Goude/V&A Images
Architecture: Ettore Sottsass (for Memphis), Casablanca sideboard, 1981
Casablanca sideboard, Ettore Sottsass made by Memphis, 1981. Its bright colour, pattern and odd shape went against the Modernist belief that form should follow function Photograph: V&A Images
Architecture: Michael Graves (for Alessi), kettle, 1983
Michael Graves (for Alessi), kettle, 1983 – a postmodern design intended for the mass market Photograph: V&A Images
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