A Paris art gallery embraces NFTs as a new form of expression, that can also make collectors very rich. A biopic of Simone Veil disappoints critics but brings the life of an inspirational woman to a new generation. And the story of the "father of forensic science" whose landmark fingerprint technology caught a murderer for the first time in 1902.
The NFT market is rife with speculation, though the technology is winning over some digital artists and collectors. A Parisian art gallery has started putting on hybrid shows, with NFTs displayed on a screen alongside oil paintings and prints. Alla Goldshteyn, of the Goldshteyn-Saatort gallery, which shows and sells urban art, talks about the thrill of experimenting with NFTs. While some collectors are out to make money, software engineer and NFT collector Gaspard Tertrais (@gaspard_ter) talks about the added appeal of owning something no one else has in the virtual world. (Listen @2'30'')
The French biopic 'Simone, le voyage du siècle' (Simone, a woman of the century) traces the life of Holocaust survivor and politician Simone Veil. Director Olivier Dahan talks about depicting the Holocaust on screen and the need to introduce younger people to an extraordinary woman in French history. The film has been panned by many cinema critics, including Eric Schwald (@eric_schwald). But viewing it with his teenage son delivers a different perspective and shows the importance of passing on her life and its lessons to the younger generation. (Listen @23')
On 24 October, 1902, a murderer was arrested and convicted on the basis of fingerprints, thanks to a method devised by Frenchman Alphonse Bertillon. His long-term reputation as the father of anthropometry was somewhat sullied, however, following his involvement in the Dreyfus affair. (Listen @17'35'')
Episode mixed by Cecile Pompeani.
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