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Reuters
Reuters
Business
By Giselda Vagnoni

Pent-up demand promises record tourist season for southern Europe

FILE PHOTO: Tourists walk in St. Mark's Square as the municipality prepares to charge them up to 10 Euro for entry into the lagoon city, in order to cut down the number of visitors, in Venice, Italy, September 5, 2021. Picture taken September 5, 2021. REUTERS/Manuel Silvestri/File Photo

After three years of pandemic travel restrictions and rocketing energy costs, tourism is back with a vengeance to boost the economies of southern Europe as sun-seekers make up for lost time.

Early bookings suggest Italy, Spain, Greece and Portugal could receive record tourism revenues this year, helping replenish state coffers depleted by rising debt interest payments and the cost of living crisis.

FILE PHOTO: Tourists take a picture in front of the temple of the Parthenon atop the Acropolis in Athens, Greece July 20, 2018. REUTERS/Costas Baltas/File Photo

What's more, there appears to be growing demand for the luxury end of the spectrum.

"Today in Italy, we have this boom in terms of tourism that is unbelievable," Carlo Messina, CEO of Italy's biggest bank Intesa SanPaolo told investment analysts in a call.

"It is impossible to find a place in a 5-star hotel if you want to make a vacation."

FILE PHOTO: People enjoy the sunny weather on Magaluf beach, on the Balearic island of Mallorca, Spain April 6, 2023. REUTERS/Enrique Calvo/File Photo

Tourism is vital to southern Europe's economies.

The travel industry was worth 100 billion euros ($110.08 billion) or 6.2% of Italian output in 2019 before the COVID-19 pandemic brought the sector into its knees. Add the wider income generated by tourist-related business and the figure more than doubles to 13%.

In Greece, tourism accounts for no less than one-fifth of gross domestic product.

FILE PHOTO: People sunbathe on the beach on the Sicilian island of Lampedusa, as a flow of migrants arriving on the Mediterranean island, in Lampedusa, Italy, June 22, 2021. REUTERS/Guglielmo Mangiapane/File Photo

The number of foreign tourists visiting Italy was up 70.5% in the first two months of the year compared to the same period in 2022, according to the national statistics agency. It added that if the trend continues, Italy could match or surpass pre-pandemic levels.

In April, Greek Tourism Minister Vassilis Kikilias said summer bookings already pointed to a new record.

Portugal registered more than 2.8 million of foreign visitors from January to March, the best first quarter on record, according to official data.

FILE PHOTO: Tourists walk along the Roman Forum in Rome, Italy, August 29, 2019. REUTERS/Ciro De Luca

In Spain, the flow of international tourists in the first quarter increased by 41.2% over the same period in 2022 and exceeded 13.7 million visitors, albeit still 3.5% below the same quarter in 2019.

RIDING TAILWINDS

The tourist industry is already benefiting. Airlines such as Lufthansa, easyJet and Ryanair have confirmed robust summer bookings while Ryanair, in anticipation of strong demand, has just ordered 150 new 737 Max-10s and optioned another 150.

Children of tourists joke in front of the Mediterranean Sea at the Barceloneta beach in Barcelona, Spain, April 8, 2023. REUTERS/Nacho Doce

German travel firm TUI expects strong revenue and higher profit in 2023. Italian travel and tourism company Alpitour forecasts turnover 30% higher this year.

"We already see a very strong demand to book Christmas holidays in 2023. We do 30 to 35,000 quotations a day, numbers never seen before," Alpitour CEO Gabriele Burgio said.

Against a background of stubbornly high inflation and interest rate hikes from the European Central Bank, the tourism boom could not come at a better time.

While manufacturers are seeing demand declining, in Italy and Spain the service sectors grew respectively for the fourth and sixth month running in April driven also by tourism, HCOB Global's Purchasing Managers' Index (PMI) showed.

Fitch cited the "strong rebound" in tourism last week as it maintained its credit rating on Italy.

Portugal's central bank meanwhile raised its 2023 economic growth forecast to 1.8% from 1.5% mainly due to expected "favourable developments" in the tourism sector and despite a near-stagnation in private consumption expected this year.

The Bank of Greece predicts the local economy will grow by 2.2% in 2023 - far above the euro area average - backed by the "favourable" tourism outlook.

MAKING UP FOR LOST TIME

The boost in tourism comes despite headwinds ranging from strikes that have disrupted travel to concern about extreme weather events, such as last year's heat-wave in southwest Europe and the current flooding in parts of Italy.

"Travel is the only discretionary expense people are prepared to maintain or increase," easyJet CEO Johan Lundgren said last month.

Consumers who had little choice but to buy goods rather than services during the pandemic are now keen to catch up on lost time, some in the industry say.

"There seems to be a significant shift in consumer behaviour, with holidays taking centre stage in consumption priorities, surpassing traditional purchases such as cars, mobile phones and watches," Alpitour’s Burgio told a hotel trade event in Milan.

As China lifts restrictions on travel, some 6 million Chinese tourists are expected to head to Europe by the end of the year, according to projections by the China Outbound Tourism Research Institute released by the European Travel Commission.

Moreover, Italian tourist agency ENIT is confident that a new, younger profile of Chinese tourist is emerging who wants "in-depth travel experiences" that go beyond the quick tour of urban cultural centres.

"The Chinese are now looking at previously overlooked destinations such as Sicily, the Cinque Terre (Italian Riviera) and seaside destinations that were previously neglected," it said.

($1 = 0.9084 euros)

(Additional reporting by Valentina Za, Elisa Anzolin in Milan, Karolina Tagaris in Athens, Patricia Rua in Lisbon, Corina Rodriguez in Madrid, Joanna Plucinska in London; Editing by Mark John and Christina Fincher)

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