When Within Temptation and Nightwish released their debut albums in 1997, there wasn’t a name for the kind of music they made. Within Temptation’s Enter, released in April, took obvious influence from gothic metal bands like Paradise Lost, but its grandiose, elegiac compositions and symphonic undertones hinted at the direction the band would eventually take. Conversely, Nightwish’s Angels Fall First, released in November, approached metal from a different direction, drawing more directly and heavily on folk and classical music. Ultimately, both bands would spearhead the symphonic metal movement of the early 2000s. But, anchored as it was around two charismatic women – Sharon den Adel and Tarja Turunen respectively – history tells us surely there must have been some rivalry. Symphonic metal’s answer to Blur vs Oasis perhaps, or Mustaine vs Metallica?
"You look so beautiful, Sharon!” beams Tarja, as her counterpart joins a Zoom call. Erm... maybe not then.
Hammer is speaking to both vocalists more than a decade on from their collaboration on the Within Temptation song Paradise (What About Us?), the lead single from 2014’s Hydra. As soon as Sharon joins, any notion of tension is quashed. Tarja’s expressive face lights up and the pair chat animatedly.
There’s a clear camaraderie between them as they joke and discuss new developments. Which raises the question, was the ‘rivalry’ just a load of bollocks?
“Oh my God! There was so much talk, like, ‘I bet there’s a real rivalry going on between you and Sharon’,” Tarja says, hissing like a cat to illustrate her point. “I was just very happy to see more girls singing in bands. It made me feel really proud of the movement. I still am!”
“We didn’t even really become aware of the idea of ‘symphonic metal’ until later when journalists started giving it a name,” Sharon admits. “I don’t think there was much overlap between Nightwish and Within Temptation. The music was very different but because there were some similarities, people had to give it a name!”
Those similarities were enough to turn Within Temptation and Nightwish into leaders of the burgeoning symphonic metal movement, however. Sharon and Tarja were soon upheld as inspirations for a subsequent wave of symphonically inclined artists that included Epica, Leaves’ Eyes and Delain, dispelling the notion of metal as a boys’ club.
“We often felt like the strange duck on the festival bill because there was
a woman in the band where most bands had male singers,” Sharon says. “Plus, I wasn’t really from the scene when I started out – I was a big grunge girl!”
“I started out in classical music so I was a complete weirdo in metal, too!” Tarja chimes in. “Though I never let that experience bother me. I felt the embrace of the crowd, but also our colleagues were really nice, so I never needed to grow balls. Although, maybe I got used to it, because I had two brothers at home and was the only girl in my primary class. Six years with nothing but boys! Urgh!”
Although separated by more than 2,000 kilometres, it wasn’t long before the pair became aware of each other’s work.
“When I first heard Within Temptation, I was like, ‘This woman has such an angelic voice’,” recalls Tarja. “We must’ve still been working on that first Nightwish record, so I’ve been aware of them from the very beginning, really!”
“The first time I became aware of Nightwish, we played a festival together,” says Sharon. “People were really excited about the band so we went to see them. We were blown away by Tarja’s presence onstage. It was so powerful... so diva!”
However, the bands’ chances to cross paths proved surprisingly few and far between. By the end of the 2000s, Within Temptation were undeniably still symphonic metal scene leaders. They’d also grown tired of the tag. Both 2004’s The Silent Force and 2007’s The Heart Of Everything had topped the charts in their native Netherlands – as well as charting internationally – but the group were getting increasingly itchy about where they could go next. 2011’s The Unforgiving was a sprawling, multimedia concept record that saw the band incorporate more pop influence into their music. Now the pressure was on to reinvent themselves again.
“Hydra was our most difficult album,” Sharon acknowledges. “We were very much searching for direction, because we’d already achieved our biggest sound. So it wasn’t like we could go much bigger than that, particularly in terms of symphonics. We were searching for a way to evolve and take inspiration from something new.”
It was an exciting time, but the creative tumult meant some ideas almost got scrapped entirely.
“Paradise (What About Us?) was one of the few more typical Within Temptation songs on that album, but that whole record took a lot of searching,” Sharon remembers. “I actually wrote it with our keyboardist, Martijn [Spierenburg], and when I first looked back on it I was like, ‘Urgh, this is too much!’ It was Robert [Westerholt, guitars and Sharon’s husband] who insisted it was really good, and he wrote the song’s main riff. I had originally written it with just lines on the piano, but he added a whole different flavour to it that really worked. Otherwise Paradise might’ve ended up in the waste bin!”
During the writing process for the record, Within Temptation decided to reach out to a number of guest vocalists, feeling they could add unique flavours to the music. They signed up former Killswitch Engage vocalist Howard Jones, Soul Asylum’s Dave Pirner and even rapper Xzibit, but by far their biggest coup was enlisting Tarja to sing on lead single Paradise (What About Us)?.
“There were two reasons we wanted Tarja for Paradise,” Sharon admits. “Not only for her voice – we felt like she could really add something – but also because in a more literal sense we figured it would be paradise for the fans! Ha ha ha!”
As it turned out, Tarja was delighted by the opportunity. She’d been trying to catch up with Sharon over the years, but their schedules had never aligned. Now they were working together, they could connect properly.
“It felt like I’d known her forever,” Tarja says happily. “I kind of felt that connection even before we met; Sharon must have gone through so many similar things to myself. We could recognise each other.”
Although they were bonding, there was still a distance between Tarja and Sharon – physically, at least. Tarja provided her vocals remotely from a studio in Buenos Aires, where she was living with her husband and infant daughter.
“I was bubbling with the joy of being a new mother and my family travelled with me everywhere, even to the studio when I recorded [2013 album] Colours In The Dark,” Tarja says. “I’d faced a lot of challenges of my own; I wasn’t really trusting in my abilities as a songwriter, for example. Paradise helped me so much, because it was so nice to even be asked about something like that. I think I had been waiting – without knowing – for something big to really happen. I didn’t doubt for a millisecond that this collaboration would be special!”
As it turned out, the distance also helped Tarja interpret the song, and gave her a bit of breathing room to work on ideas.
“I was really nervous!” she admits. “I think if Sharon and the guys had been next to me, that would have been something completely different. Because I was somewhere else, I could get into the song in my own way.”
“That’s also beautiful, because it means Tarja’s meaning for the song became its own thing,” Sharon adds. “For me, the song was about how we never learn from our mistakes as human beings. Because it’s such a big and cinematic song, Tarja’s voice added that enormity to it. She’s the empress!”
Released on September 27 2013, Paradise (What About Us?) finally united two of symphonic metal’s leading ladies. Predictably, the response was ecstatic from critics and fans alike, and to date the song has amassed more than 30 million streams on Spotify, as well as more than 100 million on YouTube. In turn, when its parent album, Hydra, was released on February 4, it quickly became Within Temptation’s most successful release to date, topping the charts at home in the Netherlands while landing a Top 10 position in the UK (No.6) and Top 20 in the US (No.16).
More than a decade on from its release, Paradise (What About Us?) feels like the moment Within Temptation drew a line under everything that had come before, saluting the original leading lights of symphonic metal while also elevating them beyond the genre and into arena-conquering territory.
“Doing a song together, when nobody expected it, was so positive on every level,” Sharon says. “We still have this connection after all these years, and our friendship has only grown from that point.”
“It gave me a new friend in my life,” agrees Tarja. “It’s a song of friendship to me. I’m so happy we could bring people joy and love by working on this together.”
Within Temptation's latest album Bleed Out is out now. The band tour the UK with Tarja Turunen in support this month
