A mass of corrugated manila cardboard of the sort used for packing stands at waist height in the The Mirror of JudgementPhotograph: Rune Hellestad/CorbisVisitors are led into unexpected enclaves, each of which is fitted with mirrors – never quite as simple as they appear. At the Serpentine, some are slightly tinted, giving a look of the past, while others seem brighter than they should bePhotograph: Courtesy of the artistThe broad effect is of enticing fields of corn and swirling clouds seen as if in a diagram or mapPhotograph: Rune Hellestad/Corbis
A Victorian prie-dieu carved with a commemorative inscriptionPhotograph: Courtesy of the artistA full-scale Buddha stands contemplating himself in the mirrorPhotograph: Courtesy of the artistThe Serpentine show includes older work by Pistoletto such as The Trumpets Of Judgement (1968)Photograph: Sebastiano Pellion/Serpentine GalleryMichelangelo Pistoletto at his exhibition at the Serpentine Gallery: 'Simplicity has always been his modus operandi'Photograph: Rune Hellestad/CorbisPozzo (Well) 1965Photograph: Courtesy of the artistThe Cubic Meter of Infinity in a Mirroring Cube (1966 - 2007)Photograph: Courtesy of the artistThe Third Paradise - The Spider Weaver (2009) Photograph: Enrico Amici/The Serpentine Gallery
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