This is a drawing of me, aged about four, during the second world war. It was drawn for the exhibition War Boy, currently at the National Army Museum in London. The exhibition, now half-way through a six-month run, includes several of the books I have written and illustrated about conflict
Photograph: Michael Foreman/Templar Publishing
Me in our outdoor loo during the second world war. This image was blown up to life-size for the exhibition and concealed behind a creaking door
Photograph: Michael Foreman/Templar Publishing
During the war the shop was always full of customers. Before I could walk my world was a world of legs – soldiers’ legs, sailors’ legs, bus drivers’ legs and, worst of all, little old ladies’ legs. Growing up in the shop was fantastic – American GIs, Poles, Czechs, Australians, troops from all over the world came to our shop for cigarettes and cups of tea and inspired my desire to travel the world
Photograph: Michael Foreman/Templar Publishing
A very early book about the environment. I didn’t read children’s books when I was a child. The only books in our house were ration books. When I started writing and illustrating I knew little of classic children’s literature. My stories came from real life, from my concerns about what was happening in the world
Photograph: Michael Foreman/Templar Publishing
A picture book about rich and poor inspired by my travels through India and the Himalayas. Location and landscape are important elements – characters almost – in many of my books.
Photograph: Michael Foreman/Templar Publishing
When coming in to land at Santiago, Chile, I saw the area between the city and the Andes mountains was smoking with rubbish dumps. While exploring the dumps, I made friends with people living and working there and saw how they survived through recycling the rubbish
Photograph: Michael Foreman/Templar Publishing
I scavenged scraps of paper from the dump and made on-the-spot sketches, some of which appear in the finished book. My own attempt at recycling!
Photograph: Michael Foreman/Templar Publishing
This book is dedicated to four of my uncles who died in the first world war. Starting the story with a village football match, and ending with the spontaneous games during the Christmas truce, provides a shape to the narrative without relating the story of the whole war
Photograph: Michael Foreman/Templar Publishing
I had real fun doing this picture and it typifies the endless joy I get from illustrating. There is a wonderful alchemy in flooding paper with water and introducing paints, inks, pastel and, in this case, Nescafe! The coffee grounds gave gritty, random texture to the Ogre’s rocky cave
Photograph: Michael Foreman/Templar Publishing
One of a series of collections of legends and folk tales from various cultures including India, North America, the South Seas and Japan that I have illustrated. In each case I tried to set the stories in authentic landscapes based on my sketchbooks
Photograph: Michael Foreman/Templar Publishing
I have been fortunate to illustrate many books by Michael Morpurgo. The Mozart Question was the most gruelling. Researching the images was very distressing. Sifting through photographs of families on their way to extermination is harrowing – children always stare straight at the camera. They look straight at you and you know their fate
Photograph: Michael Foreman/Templar Publishing
This book takes me right back to my earliest years – being the wrong side of the barbed wire fence. As a little boy, the local beach and the wide sea were the other side of the wire which formed part of our defences against invasion. A Child’s Garden is a story of a war-torn world and a child’s hope and optimism
Photograph: Michael Foreman/Templar Publishing
After the war my teenage years were lived under a nuclear cloud. The cold war threatened instant mass destruction, with John F Kennedy and Nikita Kruschev locked in a face-off during the Cuban missile crisis. It was 1961 – the year The General was first published. The book is a little prayer for peace about a general who made his country the most beautiful in the world, rather than the most powerful
Photograph: Michael Foreman/Templar Publishing
