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Low-Budget Slasher 'Terrifier 3' Dominates Weekend Box Office

This image released by Briarcliff Entertainment shows Jeremy Strong, left, and Sebastian Stan in a scene from the film "The Apprentice." (Pief Weyman/Briarcliff Entertainment via AP)

This weekend at the box office saw a surprising turn of events as new releases made waves and shifted the rankings. Topping the charts was the gory slasher film 'Terrifier 3,' a low-budget sequel that raked in $18.3 million in ticket sales. The movie, featuring the murderous Art the Clown, managed to outperform major studio films and awards contenders, defying expectations.

In contrast, 'Joker: Folie à Deux,' the much-anticipated sequel to the 2019 hit 'Joker,' suffered a significant setback. The film, starring Joaquin Phoenix and Lady Gaga, plummeted by 81% in its second weekend, bringing in just $7.1 million. This unexpected decline raised eyebrows in the industry, especially considering the massive success of its predecessor.

Meanwhile, 'The Wild Robot,' an animated film from Universal Pictures and DreamWorks, secured the second spot with $13.4 million in its third weekend. The movie, based on Peter Brown's book and featuring Lupita Nyong’o, has garnered positive reviews and continues to draw audiences.

On the other hand, 'The Apprentice,' a film centered around a young Donald Trump, failed to make a significant impact, earning only $1.6 million in ticket sales. Despite generating buzz and controversy, the movie struggled to attract viewers, highlighting the challenges of political films in an election year.

Other releases, such as 'Saturday Night' and 'Piece by Piece,' also faced mixed results at the box office. While 'Piece by Piece' received praise and a strong CinemaScore, 'Saturday Night' failed to gain traction with audiences.

Overall, the weekend box office reflected a diverse range of offerings, from horror to animation to political drama. As the industry navigates through a competitive landscape, audience preferences continue to shape the success of films, showcasing the unpredictable nature of the movie business.

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