The art scene in LA this November takes nostalgic and historic cues across town while looking back on electric light installations from Rauschenberg to Warhol at Norton Simon, while artist Doug Aitken collaborates with the Los Angeles Philharmonic for his own ‘Lightscape’ which will playout over three mediums from film to music and installations. Jeffrey Deitch revisits and updates his ground-breaking 1990s curated ‘Post Human’ exhibit at his gallery in Hollywood; Firelei Báez unveils her first-ever bronze sculpture at Hauser & Wirth in the Arts District; and fashion-icon Diane von Furstenberg looks back on her astonishing career at the Skirball Center.
Here are the best openings and continuing shows to see in Los Angeles this November taking place at some of our favourite Los Angeles galleries.
Los Angeles art exhibitions: what to see in November 2024
Plugged In: Art and Electric Light
Norton Simon, Pasadena, until 17 Feb 2025
Presented in the Museum’s lower-level exhibition wing, this show features eight prolific artists who incorporated electric light into their practice to shape and respond to sweeping artistic and social change. These works were produced between 1964 and 1970, and encompass a collection by Walter Askin, Laddie John Dill, Dan Flavin, Robert Irwin, Jess, Robert Rauschenberg, Allen Ruppersberg, and Andy Warhol. This show is concurrent with the Getty-led initiative PST ART: Art & Science Collide.
Robert Rauschenberg’s monumental ‘Green Shirt’ (1965–67) is an intricate marriage of technical skill and artistic vision and a focal point of the exhibit. The sculpture resembles an amalgam of commercial signage, adorned with multicolored neon tubes bent into motifs derived from Rauschenberg’s substantial body of work. Newly added in November, a film series “Low Key: The Magic, Wonder and Horror of Light” is presented in conjunction with the show.
Lightscape by Doug Aitken
Walt Disney Concert Hall, opening 16 November and continuing at
Marciano Art Foundation from 17 December 2024 until 15 March 2025
Artist Doug Aitken is collaborating with the Los Angeles Philharmonic, the Los Angeles Master Chorale, and the Marciano Art Foundation on a multimedia world premier artwork Lightscape at Walt Disney Concert Hall. The modern mythology propelled by music asks the questions, “where are we now?” and “where are we going?” The ‘answers’ play out in is a shapeshifting act of contemporary storytelling that unfolds in various stages: a feature-length film, a multi-screen fine art installation, and a series of live musical performances.
The world premiere of the concert iteration of ‘Lightscape’ caps off the LA Phil’s daylong Noon to Midnight: Field Recordings festival, with Grant Gershon leading the LA Phil New Music Group and the Los Angeles Master Chorale in a hypnotic series of original soundscapes and minimalist compositions to accompany Doug Aitken’s vivid moving images. Following its concert premiere, the work migrates to the Marciano Art Foundation in the form of a multi-screen art exhibition running from with weekly live music activations curated by the LA Phil, the Los Angeles Master Chorale, and Aitken.
When the Veil Thins
Compound, Long Beach, until January 2025
Located in the Zaferia District of Long Beach, Compound’s latest exhibition is curated by Mari Orkenyi and renowned artist Tofer Chin, whose own installation with an imposing black painted fence, THERE IS ANOTHER WORLD, AND IT IS IN THIS ONE is on display in the LAB. In the main building, he is joined by revered and local emerging artists such as Amir H. Fallah, Analia Saban, Aryana Minai, Jamal Gunn Becker, Mia Weiner, Mike Nesbit, Molly Haynes, Shaniqwa Jarvis, Thomas Linder, and Todd Tourso for ‘When the Veil Thins.’
Permanent fixtures at Compound include a commissioned outdoor mural by Grammy award-winning artist Dave Van Patten and Kashira Edghill, to the courtyard sculpture garden with ‘Until All Is Dissolved’ by Roksana Pirouzmand, which you can admire from a seat at Union restaurant and bar by celebrated Baryo chef Eugene Santiago. Newly appointed executive director January Arnall, who hails from The Hammer Museum in Westwood, and MCA Chicago, will help to implement special guest art talks and exhibits, local artisan craft markets and a wellness series with local practitioners.
Post Human
Jeffrey Deitch, Hollywood, until 18 January 2025
In 1992, ‘Post Human’ was a ground-breaking exhibition that showcased the work of thirty-six young artists interested in technological advancement, social and aesthetic pluralism, and new frontiers of body and identity transformation. Curated by Jeffrey Deitch, these artists were exploring the same questioning of traditional notions of gender, sexuality and self-identity that was taking place in the world, and still is today.
More than thirty years later, Deitch revisits the theme, bringing the discourse into the present. The show includes several of the key figures who participated in the 1992 exhibition in dialogue with some of the most interesting artists continuing the exploration of these themes today. Participating artists include Urs Fischer, Takashi Murakami, Damien Hirst, Alex Israel, Mike Kelley, Jeff Koons, Cindy Sherman, Paul McCarthy, Pippa Garner, Chris Cunningham, Sam McKinniss,
Pierre Huyghe, and Arthur Jafa.
Arthur Jafa: nativemanson
Sprüth Magers, mid-city, until 14 December 2024
For more on Arthur Jafa, head to Sprüth Magers (with galleries in New York, London, and Berlin) for his first solo gallery exhibition in Los Angeles. Spanning three decades, the artist’s work comprises films, artifacts, and happenings that reference and question the universal and specific articulations of Black being. This mini-retrospective will feature recent works, sculptures and moving images, including Jafa’s latest film, ‘Redacted,’ his deft remix of Martin Scorsese’s Taxi Driver, in which Jafa performs an exorcism on the film, alongside a selection of earlier works. Underscoring the many facets of Jafa's practice is a recurring question: How can visual media, such as objects, static and moving images, transmit the equivalent "power, beauty, and alienation" embedded within forms of Black music in US culture?
Joseph Beuys: In Defense of Nature and Social Forest: Oaks of Tovaangar
The Broad and Elysian Park, opening 16 November through 6 April 2025
In a multifaceted effort, The Broad will present a free collection exhibition, offsite public reforestation project, and series of programs connected with the legacy of German-born Joseph Beuys’s art and environmental advocacy. Organized by The Broad’s curator Sarah Loyer with Beuys scholar Andrea Gyorody, director of the Frederick R. Weisman Museum of Art at Pepperdine University, it will coincide with a major reforestation initiative, Social Forest: Oaks of Tovaangar, as part of Getty’s PST ART: Art & Science Collide. These dual projects present Beuys’s work and practice which is urgent and timely today as the planet’s climate continues to warm. The exhibition will present over 400 artworks that illuminate Beuys’s practice as a model for direct environmental action, drawing from the Broad’s extensive holdings of the artist’s work.
The corresponding ‘Social Forest’ initiative will echo the appeals for change seen within the exhibition, with an emphasis on the unique social and environmental context of current day Los Angeles. Undertaken in partnership with North East Trees and Tongva (Gabrielino) archaeologist Desireé Reneé Martinez and artist Lazaro Arvizu Jr., the project encompasses the planting of 100 native trees, primarily coastal live oaks, in Elysian Park and additional plantings at Kuruvungna Village Springs in West L.A.
Gustav Metzger. And Then Came The Environment
Hauser & Wirth, Downtown Los Angeles, until 5 January 2025
In conjunction with the Getty’s PST ART initiative, this is the late artist’s first solo exhibition in LA. And Then Came the Environment’ presents a range of Metzger’s scientific works -as an early proponent of the ecology movement and an ardent activist- merging art and science from 1961 onward, highlighting his advocacy for environmental awareness and the possibilities for the transformation of society, as well as his latest experimental works, created in 2014. The exhibition title comes from Metzger’s groundbreaking 1992 essay ‘Nature Demised’ wherein he proclaims an urgent need to redefine our understanding of nature in relation to the environment.
Candida Höfer
Sean Kelly, Hollywood, opening 16 November until 9 February 2025
Curated by renowned architects Mark Lee and Sharon Johnston of the LA-based firm Johnston Marklee, this exhibition explores the intersection of architecture, photography, and cultural history. Recently awarded the 2024 Käthe Kollwitz Prize, Candida Höfer’s work is a testament to the enduring influence of architectural and cultural heritage, through the lens of one of the most respected photographers of our time.
Inspired by German/Prussian architect Erich Mendelsohn, who navigated the complex cultural landscape of Europe post-World War II, Johnston Marklee have created a literal and metaphorical division within the gallery space. The gallery will be split into two distinct halves, with one side showcasing Höfer's photographs from North America and the other from Europe. This horizontal division symbolizes the cultural and architectural dialogue between the two continents, offering viewers a profound visual experience that bridges historical and contemporary perspectives.
Diane von Furstenberg: Woman Before Fashion
Skirball Cultural Center, Brentwood/Bel-Air, until 31 August 2025
This U.S. debut explores the remarkable life and work of fashion designer Diane von Furstenberg's career, from the 1970s to the present day including a selection of items drawn from the DVF archives along with ephemera, fabric swatches, media pieces, and information on her philanthropic work. Garments from Greco-Roman drapery to kimonos, dance uniforms, and fellow designers that explore the connections between these historical pieces and her designs.
New artifacts also shed light on von Furstenberg’s life as the daughter of a Holocaust survivor and a war refugee, offering additional perspective on the factors that shaped her life and work, including a spotlight on the designer’s mother Lily Nahmias featuring audio, images and text that explore her experience as a member of the resistance. Skirball Cultural Center President and CEO Jessie Kornberg commented, ‘Jewish connection to garment industries and needlepoint trades spans continents and generations. Past exhibitions like the retrospective on Rudi Gernreich or the textile art of Aram Han Sifuentes celebrated these connections.’
Fragments
Friedman Benda, West Hollywood, until 1 February 2025
Paris-based French designer Ferréol Babin unveils his first solo gallery exhibition, marking the first time a comprehensive body of his work will be on view to the public. Informed by extensive study of wood-working techniques in France and Japan and his participation in an immersive artist residency by BRH+ in Turin, Babin evokes historical methods and motifs through his own poetic approach. Offering ambiguity for the viewer to wonder how a piece is made, Babin leaves behind fragments so one can discover the meaning of an object on their own.
Scientia Sexualis
Institute of Contemporary Art, Los Angeles, until 2 March 2025
ICA LA is kicking off it’s fall exhibition, Scientia Sexualis, by showcasing a group survey of contemporary artists whose works take up the fraught relationship between sex and science. Organized by Jennifer Doyle (Professor of English, University of California, Riverside) and Jeanne Vaccaro (Assistant Professor of Gender Studies and Museum Studies, University of Kansas), and accompanied by a major scholarly publication (the title from French philosopher Michel Foucault’s landmark text, The History of Sexuality, Vol. 1 (1976), the exhibition is part of the Getty PST ART: Art & Science Collide.
Lisa Williamson: Hover Land Lover
Tanya Bonakdar Gallery, Hollywood, until 9 November 2024
Williamson’s work seamlessly blends painting and sculpture through concise material abstraction. Her current exhibit presents a series of painted wall reliefs and sculptures that engage with space. At the heart of the exhibition are machine-carved basswood reliefs, hand-painted with shimmering metallics and vibrant hues, creating dynamic chromatic energy. Informed by architectural precision and organic forms, her works interact with light and space, revealing ongoing exploration of balance, form, and spatial relationships.
'I like thinking of an artwork as both a projector and a container; a material form that is explicit and expressive in its physicality, while also maintaining a certain level of opacity or resistance,' said Williamson. 'For me, it is important that each work feels imbued with a particular character, charge, or resonance — an autonomous form that can hold space and hold its own.'.
On Emptiness: To Walk Between Candle and Flame
FRIDAY, ROW DTLA, until 8 November 2024
At the ROW DTLA, the city-within-a-city culture hub where locals flock for award-winning dining, shopping, and galleries, just launched a new reason to flight traffic on the 405 freeway. FRIDAY is a Global-South themed gallery curated by husband and wife duo Mitch and Mubarak Jafrey who are kicking-off the first season with On Emptiness: To Walk Between Candle and Flame, presenting a new collection of works by Pakistani artist Muzzumil Ruheel.
The gallery will focus on highlighting artists' voices from the Middle East to Southeast Asia to Latin America, featuring the incredible work from several artists and designers from those regions. The design concept store will also feature an exclusive list of creatives for its first season, including French-Tunisian artist eL Seed, Pakistani jewellery designer Zohra Rahman and creative director Ammar Ali Ashgar.
Olivia Cognet: Diffraction
The Future Perfect, Hollywood, until 8 November 2024
The Future Perfect’s Los Angeles outpost, located at The Goldwyn House in Hollywood (by appointment only), is currently featuring French artist and ceramicist Olivia Cognet’s Diffraction exhibition, a first-of-its-kind furniture collection created by The Future Perfect and fabric designer Christophe Delcourt, titled Christophe Delcourt: OWE, works by Sarah Solis, Anna Karlin, and more.
This is Cognet’s first-ever solo exhibition with The Future Perfect and explores the intersection of ceramic design, art, craft, and laboratory. The pieces in this collection range from panoramic wall hangings to sculptural furniture and decorative elements, and were made from clay, lava, wood, mirror, and stone. A custom furniture collection from The Future Perfect and esteemed fabric designer Christophe Delcourt, the striking Christophe Delcourt: OWE sofa and armchair signifies a visualization of comfort with its organic, enveloping shapes, double skin layering, and striking Delcourt Textiles fabrics. Also on view will be Sarah Solis, debuting her beautifully crafted furniture collection, as well as the work of designer Anna Karlin.
Life on Earth: Art & Ecofeminism
The Brick, Hollywood, until 21 December 2024
The Brick (formerly known as LAXART) inaugural exhibition Life on Earth: Art & Ecofeminism is tied to PST ART: Art & Science Collide. The show is curated by Deputy Director and Curator Catherine Taft and explores crucial links between gendered oppression and the exploitation of our planet's natural resources.
Originally a philosophical and political concept, ecofeminist art developed from anti-nuclear and feminist movements in the 1970s. Ecofeminist artists often created site-specific work that sought to address the connections between the domination of women, queer people, and the environment. Spotlighting the past five decades to present times, eighteen international artists and collective are representing this important history through installations, video work, photography, and sculptures. Some of the participating artists include Alliance of the Southern Triangle (A.S.T.), Alicia Barney Caldas, Francesca Gabbiani, Masumi Hayashi, Institute of Queer Ecology, Kite, Leslie Labowitz Starus, Otobong Nkanga, and A.L. Steiner.
Portable Wetland
Brackish Water, Los Angeles California State University, Dominguez Hills, until 14 December 2024
Environmental artist Lauren Bon and her Metabolic Studio could not be busier this fall as she participates in multiple exhibition as part of PST ART: Art & Science Collide. Her work fuses art, architecture, social practice, environmental activism, and speculative ecology. As the holder of the LA River’s first private water right with the responsibility for the stewardship of water, Bon’s work in Portable Wetland demonstrates new ways to look at water conservation through an accessible and minimally invasive process to protect our health and well-being.
In addition, Bon is literally “Moving Mountains” by transporting truckloads of living soil from the Topanga Canyon land slide to the LA River to create areas of new forestation and a citizen’s utility, and continuing her “Bending The River” project which will deliver cleaned water that she has diverted from the LA river to the State Historic Parks next Spring. Bon is also included in several other Getty PST projects this fall, including a Concrete is fluid, a solo exhibition at Honor Fraser gallery opening 14 September until 14, December 2024.
Beatriz da Costa: (un)disciplinary tactics
LACE at the Los Angeles Municipal Art Gallery, East Hollywood, until 5 January 2025
As part of PST ART: Art & Science Collide, this exhibition revisits the collaborative artistic practice of the late Beatriz da Costa (1974–2012) as an investigation into technoscientific experimentation, politics, activism, and art-making, contextualized for our contemporary moment.
Curated by LACE’s former Chief Curator/Director of Programs Daniela Lieja Quintanar with Ana Briz, the project weaves together an exhibition, public programming, performances, educational workshops, and study groups as an evocation of da Costa’s approach to the intersections of ancient and non-academic forms of knowledge.
Breath(e)
HAMMER MUSEUM, Westwood, until 5 January 2025
Presented in partnership with Conservation International, this show is comprised architectural, décor, new tech, recycling materials, living organisms - all intertwined and connected to climate and social justice. Curated by artist Glenn Kaino and guest curator Mika Yoshitake and features more than 100 artworks by 25 international artists. The sprawling exhibition will fill the majority of the Hammer’s galleries and outdoor spaces, and includes specially commissioned works by Mel Chin, Ron Finley, Cannupa Hanska Luger, Garnett Puett, and Lan Tuazon.
Magdalena Suarez Frimkess: The Finest Disregard
LACMA, mid-Wilshire, until 5 Jan 2025
This is the first-ever museum survey of the Venezuelan-born, L.A.-based artist’s prolific career. Spanning over five decades, the exhibition explores ceramics, paintings, and drawings, including an important selection of works made collaboratively with her husband, Michael Frimkess, and numerous works never-before shown in public. With insights into the artist's fascination with illustrations from art books, popular media, animation, autobiography, and the comedy of everyday life, celebrating the inventiveness of Suarez Frimkess’s practice, securing her position in the recognized, longstanding tradition of artists working with ceramics in California.
Betye Saar: Drifting Toward Twilight
The Huntington, Pasadena, until Nov. 30, 2025
Also, at The Huntington in The Virginia Steele Scott Galleries of American Art building, where you can also find several Warhol works including “Brillo Box,” renowned American artist Betye Saar’s large-scale work of a 17-foot-long vintage wooden canoe, “Drifting Toward Twilight.” takes up an entire room. This site-specific installation was commissioned by The Huntington and adorned with found objects, including birdcages, antlers, and natural materials harvested by the artist from The Huntington’s grounds. This work explores themes of racial oppression and ‘caged freedom.’
A small side room shows a short documentary film on Saar’s six-decade career as a pioneer of assemblage art, an important artistic voice during the feminist and Civil Rights movements, and as part of the foundational generation of Black artists in Los Angeles.
A convenient nearby glass door leads to the historic rose garden and tea room, which was refurbished and reopened earlier this year. Beyond that lies the Shakespeare Garden and the Japanese botanical gardens dotted with artifacts and sculptures.
Intuit Dome
Inglewood, permanent
One of the most exciting art collections to hit Los Angeles can be found at the new home for the LA Clippers in Inglewood. The cutting-edge sports venue recently unveiled the monumental, site-specific, outdoor artworks commissioned for the Intuit Dome which opens to the public this August. The $11 million public art collection features a collection of globally recognised artists, selected by Ruth Berson, former deputy director of curatorial affairs at SFMOMA, who have deep ties to Los Angeles and intertwine their artistic talents with sports.
Glenn Kaino’s massive sculpture Sails, made of painted steel and wood looms in the form of the clipper ships that connected the world via the ocean’s trade routes. In this ship, basketball is the cultural wind that can connect us all.
Michael Massenburg’s mural of printed porcelain enamel on steel panel features figures of basketball, tennis, and soccer players, singers, musicians, and dancers, titled Cultural Playground expresses the artist’s belief that 'the two most profound things that unite people are the arts and sports.'
Jennifer Steinkamp’s digital artwork Swoosh, uses the entire surface of the Intuit Dome, designed by the architectural firm AECOM, with five animations will transform the surface of the dome and light up the sky with geometric panels.
Patrick Martinez’s sculpture Same Boat uses a neon sign to create an image that reproduces a statement by the late Civil Rights leader Whitney M. Young: “We may have all come on different ships but we’re in the same boat now.”
On a wall adjacent to Same Boat, you will find Kyungmi Shin’s stained-glass mosaic with stainless steel tracery, Spring to Life. For this work, Shin drew inspiration from Centinela Springs, the now-vanished water source in South Los Angeles that once supported the Tongva people and the land they cultivated. (If you would like to see more of Shin’s work, the artist has a solo exhibition at Craft Contemporary until 8, September 2024.)
The Dome opening features an exhibition of photographs by Catherine Opie (on loan from MOCA) evoking the experience of community. “We designed Intuit Dome to be a place that brings people together,” said Gillian Zucker, CEO of Halo Sports & Entertainment. “When it came to our public art, we wanted to deliver a collection that is as compelling to people well versed in art as it is to a novice viewer. We are eager to make these unique works, from these amazing artists, available to everyone.”
Josh Kline: Climate Change
MOCA, downtown Los Angeles, until 5 January 2025
Josh Kline’s dystopian science fiction installations took five years to fully produce but they could not be more on target with the current political and environmental climate concerns in America. This exhibition transforms the galleries at MOCA Grand Avenue with photography, moving image work, and ephemeral materials.
Also at Grand Ave., NTS Radio is in residency, in the museum’s newly opened cultureLAB space offers a summer-long collaboration of live broadcasts and music programming located on the Sculpture Plaza at MOCA, or tune in at nts.live
Mineo Mizuno: Homage to Nature
The Huntington, Pasadena, until 25 May 2029
The Huntington holds a library with British medieval manuscripts, including the 15th-century Ellesmere tome of Geoffrey Chaucer’s Canterbury Tales; 16 themed gardens with more than 83,000 living plants; an art museum and more.
In the main garden area on the vast grounds, Mineo Mizuno’s sculpture celebrates the beauty of wood in its natural state and emphasises its potential as a reusable and renewable resource. This site-specific work explores the fragility of the Earth’s ecosystem, as well as the destruction of the forest and its potential for regeneration.
