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Zenger
Zenger
Technology
Naama Barak

Jerusalem Unicorn Lightricks, invents Facetune App; Using AI To Edit And Erase Objects From Photos

Jerusalem-based Lightricks, one of 13 generative AI unicorns, revolutionized mobile image- and video-editing apps. The idea behind Lightricks, the Jerusalem unicorn that specializes in image-and video-editing apps, was simple: to allow people to realize any creative vision, even if they lacked the skills to do so. VIA LIGHTRICKS

 Lightricks was founded in 2013 by a group of army friends completing their PhDs in computer science, at the Hebrew University of Jerusalem. They developed a slew of super-popular mobile apps for image and video editing, pre-image viewing, image animation and story-making. 

The idea behind Lightricks, the Jerusalem unicorn that specializes in image-and video-editing apps, was simple: to allow people to realize any creative vision, even if they lacked the skills to do so. The Facetune app utilizes AI to edit, touch up and erase objects from photos. Lightricks apps have been downloaded nearly 700 million times and claim more than 30 million monthly users. The company recently was ranked fifth in valuation by CB Insights on its list of 13 worldwide generative AI unicorns.

“I’m not an artist; I don’t know how to paint or sing or anything, but I do see things in my mind that I’d like to show other people. With us, people can be creative, even if they don’t have the technical abilities for it. At first, it was simply about making apps that tackle certain verticals, for example FaceTune, which is a mobile Photoshop. Now, with artificial intelligence, we’re reaching a stage where we’re beginning to feel that the vision we had is becoming viable. Machines can help you show others the things you’re imagining very quickly. That’s why this is going to be the most fun time ever in our industry” said Lightricks cofounder and CEO Zeev Farbman on a conversation with ISRAEL21c.

The big disruption

“When we started out, our audience was people who wanted to create social media content that simply looked better. They needed more agile tools, but as users became experts, we were able to give them deeper products with more content. When mobiles entered the world, it was a huge revolution that disrupted many areas. Now, however, mobiles have reached a sort of plateau, regarding what each generation of devices can offer. Within the space of a decade, we’ve turned from an industry that had a very small place on the App Store to a huge one. The world is already looking for the next technological shift, which appears to be arriving right about now. This big shift is AI, and it’s disrupting all the different technological verticals, from binary digits and hardware to consumer products. AI is readily available, and anyone can disseminate it.”  Said Farbman

An image of the Facetune App logo displayed.  FaceTune, which is a mobile Photoshop. Now, with artificial intelligence, we’re reaching a stage where we’re beginning to feel that the vision we had is becoming viable. VIA GOOGLE

Changing the rules

The Photoleap app transforms photos using AI.  Lightricks saw two options regarding this new technology that’s changing the rules of the game.

“One option is to run ahead with it very quickly and try and understand the advantages of this new game, and the other is to go out of the game. We’ve decided to stay in the game to incorporate AI tools in our products. We’re also doing a lot of internal work across the company to use AI to be more productive, and while it’s very difficult to create change inside an organization numbering 10,000 people, with 600 people it’s a lot easier” said Farbman.

Most Lightricks employees are in Jerusalem, with more in Beersheva, Haifa, Chicago and London. Its Jerusalem headquarters is on the leafy Givat Ram campus of Hebrew University, and this close connection to academia continues to influence the company’s character. The Lightricks offices in Jerusalem’s Hebrew University Campus allows close contact with academia.  “We recruit a lot from the university of Bezalel Academy of Art and Design. Our [former PhD] supervisors are just around the corner, and we’re in close touch with students,” said Farbman

A changing business model

Asked about the challenges faced along the way, the now-bald Farbman jokes that a decade ago he had a full head of long, black hair, but really, the biggest challenge was having to reevaluate the business model several times. Over the course of the decade, Lightricks went from a standard paid apps model to a then-innovative freemium subscription one. Now it’s occupying a niche in the AI and creator economy.

“You can suddenly compete in any field, because the technology’s nature doesn’t limit you to one kind of platform, and this is accompanied by very large challenges,”  said Farbman, acknowledging some internal friction. Last summer, about 70 Lightricks employees in Israel were laid off. Looking forward, however, Farbman envisages a future of untold AI possibilities.

“At the moment, we’re experiencing technology that bridges the gap between natural language and computer language. You’re already used to the computer doing something for you, for example a calendar app. If you have a certain task, you search for a product to help you, but an already imaginable situation is one where you work with an agent that not only knows what you want to do, but also builds you an interface on demand. While this concept of automating tasks can be envisioned now, we don’t yet really understand its boundaries because the wiring is still missing, and all these systems don’t know how to wire to one another yet” said Farbman

Produced in association with ISRAEL21c

Edited by Eunice Anyango Oyule and Virginia Van Zandt

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