What is it?
Show us a bassist who doesn’t have at least a little bit of affection for the original Gibson Grabber and we’ll show you a bassist without a heart. The choice of axe for Gene Simmons, Krist Novoselic and Mike Dirnt among others, it’s one of the wonders of the bass world.
The latest version from Gibson’s more affordable off-shoot Epiphone looks to offer the same timeless look and feel at a more wallet-friendly price tag, but can it compete in terms of tone?
There is no escaping the appeal of the classic Grabber design, which for many remains unrivalled in its mix of functional simplicity and rugged elegance.
The fact that this latest model is built in China might raise a few eyebrows, but the truth is that a guitar's country of origin is no longer the yardstick of quality that it once was – the Epiphone Grabber has been put together very nicely.
Epiphone Grabber Bass: Playability and sounds
The alder body comes equipped with a maple neck and fingerboard, with a 34-inch scale length and 20 frets. With its lightweight build and thin body profile, the headstock does tend to drop the second you let go of the neck, but I must confess that I'm quite smitten with the way this bass plays.
I'm reminded that Gene Simmons used a Grabber for a reason – because they play like nothing else on earth.
The original Grabber Simmons played boasted a slidable pickup that could be ‘grabbed’ and moved up and down the body for extra treble and bass as required. Devotees, and there are many, swore by this cunning device.
Sadly, the Epiphone Grabber doesn’t have this feature. Instead, there’s a mini switch for coil-splitting the single humbucker, as well as the standard master volume and tone controls.
The bridge is fitted with a nickel cover and though there’s less scope for intonation adjustment here, it feels like a solid design. The clover tuners have a smooth and positive action, while the strings pass smoothly across a bone nut. The factory setup is very good, which is always a reassuring sign.
With its low action and slim neck profile, the Epiphone Grabber is immediately inviting to play. Through a decent bass amp , the single pickup is surprisingly effective, yielding a distinctively clean and honest amplified version of the acoustic tone.
I wasn't expecting miracles from the relatively simple electronics, but there’s a good range of bass sounds available from both the tone control and the coil-splitting toggle switch.
Some may view this setup as rather limiting, and maybe the Grabber won’t make for a great studio bass when it comes to versatility, but having one or two really good sounds will be more than enough to win over bassists looking for a more traditional voice.
Add in your own physical technique and the sonic options soon begin to add up. This works to your advantage when you bring in some overdrive; the Grabber works especially well with some vintage-style crunch.
Verdict
Despite the ‘spin off’ status of the Epiphone range, this isn’t a downmarket beginner axe, though it must be said that it isn’t priced to compete with entry-level fare.
I may have wished for a little more harmonic complexity and depth, but don’t be fooled into thinking it can’t cut it in a live environment. Similarly, I could scrutinize the vintage accuracy of every component, but that would be missing the point.
Given the budget-friendly price tag compared to original Gibson models on the vintage market, the Epiphone Grabber is well-built, and aside from it being a little neck heavy, very enjoyable to play.
Specs
Price: $999 / £929
Type: 4-string solid body bass guitar
Body: 3-piece alder
Neck: 3-piece maple
Fingerboard: maple
Nut/Width: Bone/41 mm
Scale Length: 34" (86.36cm)
Frets: 20
Pickup: 1 x Epiphone humbucker
Controls: Master volume, tone, mini switch for coil split
Hardware: Epiphone bridge with nickel cover, die-cast tuners
Finishes: Natural (as reviewed), Ebony
Case: Gig bag included
Contact: Epiphone