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The National (Scotland)
The National (Scotland)
National
Alasdair Ferguson

Firm behind Netflix hit Adolescence to reboot influential nuclear war film

THE production company behind the Netflix hit Adolescence has secured the rights to develop Threads, the influential 80s TV film about nuclear war, into a new series. 

Warp Films, a Sheffield-based independent film and television production company, has picked up the rights to develop the series from 1984, which was acclaimed for its groundbreaking portrayal of a fictional nuclear apocalypse. 

Threads aired on the BBC and followed two Sheffield-based families who endured the hardships of the fallout from a nuclear strike in the UK. 

The film’s portrayal of the potential medical, economic, social, and environmental consequences of a nuclear war in Britain has been critically acclaimed, and it was nominated for seven Bafta awards in 1985. 

Warp’s adaptation will aim to tell the story through character-driven storytelling and will highlight the working-class experience, the firm said.

Mark Herbert, founder and chief executive of Warp, said Threads will allow them to explore the “modern relevance” of the threat of nuclear war. 

He told industry outlet Broadcast: “Threads was, and remains, an unflinchingly honest drama that imagines the devastating effects of nuclear conflict on ordinary people.  

“This story aligns perfectly with our ethos of telling powerful, grounded narratives that deeply connect with audiences. 

“Reimagining this classic film as a TV drama gives us a unique opportunity to explore its modern relevance.” 

Emily Feller, chief creative officer and executive producer, added that the drama “feels more relevant than ever” but aims to add elements of hope. 

“This adaptation will allow us to uncover fresh interpretations in light of today’s world,” she said.  

“We imagine highlighting how resilience and connection can offer hope even in the most challenging of times. 

“Through this lens, an adaptation of the incredible film can reexamine its significance for then and for now – allowing us to engage with a modern audience.”

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