![Maggie Q looks at two men who are tied to chairs with bags over their heads in Fear the Night](https://media.guim.co.uk/4eb6ec843d628f7b5b3a27059b38a8b0d59d24ab/0_200_6000_3600/1000.jpg)
In the most dismaying possible way, Neil LaBute has done it again. The dramatist and film-maker who gave us the 90s toxic masculinity classic In the Company of Men and the interesting and undervalued Samuel L Jackson thriller Lakeview Terrace in 2008, seems now to be going through a period of churning out exploitation content like a hack-for-hire. Last year we had the dismal revenge horror House of Darkness; now it’s this terrible home invasion thriller, with awful acting, clunking dialogue cues and drearily ungripping action and suspense sequences, along with a ChatGPT-ish title.
Maggie Q plays Tess, a military veteran who has seen action in Iraq and is now a recovering alcoholic struggling with a return to civilian life. She agrees to come to her sister’s bachelorette party (despite being out of place with all the girly types), and the bride-to-be has implausibly decreed this should take place in the big old remote house once occupied by her recently deceased parents, a place where there is – in accordance with time-honoured movie tradition – no mobile phone coverage. They all show up and find themselves under attack for a bizarrely elaborate reason. Much later, a gloomy epilogue has a misogynist sheriff disbelieve Tess’s version of events, which is not completely unreasonable of him. It could be a screenwriting way of sneakily conceding how weirdly contrived it has all been.
Maggie Q gives an utterly lifeless, charmless, undirected performance; there are some scenes at the beginning where she is boorish and disagreeable with her other, uptight sister, presumably so we can see the tough, down-to-earth attitude that is going to save these ungrateful whiny-civilian types in the end. But it doesn’t feel as if she has been vindicated in any interesting way. This is a waste of time and streaming pixels.
• Fear the Night is released on 25 September on digital platforms.