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The Guardian - UK
The Guardian - UK
Entertainment

Ealing Studios: posters galore! – in pictures

Ealing studios: The Captive Heart poster designed by John Bainbridge
The Captive Heart poster designed by John Bainbridge Photograph: BFI/STUDIOCANAL
Ealing studios: A William Kellner production design for The Lavender Hill Mob
A William Kellner production design for The Lavender Hill Mob scene of the workshop with the Eiffel Towers Photograph: BFI National Archive
Ealing studios: They Came to a City poster designed by H A Rothholz
A poster for They Came to a City designed by HA Rothholz Photograph: BFI/STUDIOCANAL
Ealing studios: Anthony Mendleson costume design for Kind Hearts and Coronets
An Anthony Mendleson costume design for Valerie Hobson in Kind Hearts and Coronets Photograph: BFI National Archive
Ealing studios: Titfield Thunderbolt pressbook with artwork by Edward Bawden
A pressbook for The Titfield Thunderbolt, with artwork by Edward Bawden Photograph: BFI National Archive
Ealing studios: Hue and Cry poster designed by Edward Bawden
A Hue and Cry poster designed by Edward Bawden Photograph: BFI/STUDIOCANAL
Ealing studios: Peter Sellers, Danny Green, Alec Guinness and Alexander Mackendrick
From left: Peter Sellers, Danny Green, Alec Guinness and Alexander Mackendrick holding a gun Photograph: BFI National Archive
Ealing studios: A page from Alexander MacKendrick’s script for The Ladykillers
A page from Alexander Mackendrick’s annotated shooting script for The Ladykillers Photograph: BFI National Archive
Ealing studios: Pink String and Sealing Wax poster designed by John Piper
A poster for Pink String and Sealing Wax, designed by John Piper Photograph: BFI/STUDIOCANAL
Ealing studios: The Magnet pressbook with artwork by Edward Ardizzone
The Magnet pressbook with artwork by Edward Ardizzone Photograph: BFI National Archive
Ealing studios: On the set of It Always Rains on Sunday
On the set of It Always Rains on Sunday: associate producer Henry Cornelius (far left, partially obscured); producer Michael Balcon (wearing glasses); director Robert Hamer (leaning forward); and actors John Slater and Patricia Plunkett (seated) Photograph: BFI National Archive
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