Swedish filmmaker Gabriela Pichler, recognized by Variety as one of the 10 Euro Directors to Watch in 2013, has once again captivated audiences with her latest project, 'Painkiller.' This six-part series, which marks Pichler's first foray into long-form scripted format, explores the complexities of mother-daughter dynamics and gentrification in Göteborg, Sweden. Co-written with her partner Johan Lundborg, who also serves as the director of photography and editor, 'Painkiller' is a socially-anchored comedy that delves into the struggles of chronic pain and the pursuit of artistic expression.
The inspiration for 'Painkiller' stemmed from Pichler's personal experience of balancing her career as a rising Swedish filmmaker with the harsh reality of her own mother's battle with chronic pain. The story revolves around Andrea, a celebrated avant-garde artist, and her headstrong Balkan mother, Dijana, who is a retired cleaner. Both attempt to improve each other's lives, but with limited success. Seeking distraction from her chronic pain, Andrea enrolls her mother in one of her art projects, leading to unexpected outcomes.
Pichler and Lundborg discussed their motivations behind 'Painkiller' in an interview with Variety. Pichler expressed her desire to explore different narrative structures and formats beyond feature films, while Lundborg highlighted the importance of telling a comedic story centered around chronic pain. They strived to balance humor and serious moments in the script, aiming to create a fast-paced and authentic series.
Casting and location scouting were integral parts of the production process for Pichler. With a knack for discovering talented amateurs, Pichler sought individuals who could bring honesty and authenticity to their characters. Dodona Imeri and Snežana Spasenoska were ultimately chosen for the roles and collaborated closely with Pichler to deliver powerful performances.
The backdrop of 'Painkiller' is the city of Göteborg itself, which is undergoing gentrification. Pichler and Lundborg wanted to explore the impact of this transformation on diversity in the city, considering its history as a haven for alternative culture. They aimed to portray the clash between the old and the new Göteborg, as represented by Dijana and Andrea respectively.
'Painkiller' draws inspiration from the critically acclaimed series 'High Maintenance' for its humanistic approach and inventive cinematography. Pichler and Lundborg also sought to challenge themselves by breaking away from their previous films and incorporating bold colors and a heightened narrative in 'Painkiller.'
As artists who have experienced the challenges of coming from working-class backgrounds, Pichler and Lundborg aimed to shed light on the issue through the series. They believe in the importance of broadening the industry to include individuals who haven't followed the typical paths into acting. By taking risks and being open to new talent, they hope to contribute to a more inclusive environment.
With 'Painkiller,' Pichler and Lundborg hope viewers will connect with the unconventional female protagonists and find enjoyment in the series. Additionally, they aspire to fill a void in a society that often neglects certain categories of people and spaces.
As for their future projects, Pichler and Lundborg have their sights set on working on a feature film once again. With their unique storytelling and passion for exploring social issues, audiences eagerly anticipate their next endeavor.
'Painkiller' premiered at the 47th Göteborg Film Festival in Sweden, captivating audiences with its refreshing take on mother-daughter dynamics, chronic pain, and the complexities of artistic expression in an ever-changing world.
