Canon RF 28-70mm f/2.8 IS STM review: an L-series lens on a budget

Canon RF 28-70mm F2.8 IS STM lens.

The Canon RF 28-70mm f/2.8 IS STM is a hugely welcome addition to the RF lineup. Full-frame R system users have been treated to some fantastic kit lenses in recent years, such as the highly compact and portable RF 24-50mm f/4.5-6.3 IS STM and the RF 24-105mm f/4-7.1 IS STM. 

While these are relatively cheap and cheerful (all things considered), costing around $500 in the US, up until now if you wanted an upgrade to your kit lens the best option might have been the RF 24-105mm f/4L IS USM that costs considerably more at $1,299. Or, if you have the money for it, you could splash out on the Canon RF 24-70mm f/2.8 IS USM trinity lens at $2,399.

This is where the new Canon RF 28-70mm f/2.8 IS STM comes in. This compact zoom lens is about the size of a soda can, packs in a flexible zoom range of 28-70mm, a wide and constant maximum aperture of f/2.8, and borrows L-series features like weather sealing, too! I recently got hold of one to see just how far above its weight Canon’s souped-up kit lens can punch.

From left to right there's a standard 330ml drinks can, the new Canon RF 28-70mm f/2.8 IS STM lens in the middle and the RF 24-105mm f/4L IS USM on the right (Image credit: Future)

Canon RF 28-70mm f/2.8 IS STM: Specifications

Canon RF 28-70mm f/2.8 IS STM: Design & Handling

With dimensions of just 76.5 x 92.2mm, the Canon RF 28-70mm f/2.8 IS STM is impressively small with a similar footprint to a 330ml drinks can – as you can see in the image below. 

It’s also very light, tipping the scales at just under half a kilogram. Compared to the RF 24-105mm f/4L it's about 14% smaller in length when fully retracted, and it's about 30% lighter as well – impressive!

The Canon RF 28-70mm f/2.8 IS STM lens is about the same size as a 330ml soda can, though it's a touch shorter and a fraction wider (Image credit: Future)

Packing so much into such a small lens there has to be a compromise or two. And in the case of the Canon RF 28-70mm f/2.8 IS STM the usual three lens rings – one for zoom, one for focus and one for control functions – have been consolidated down to two: a zoom ring and a multi-function ring, which can be toggled between AF / MF / Control via a switch on the lens barrel.

Another concession is that the zoom ring has to be twisted to the 28mm mark before you can start using the lens, as doing so 'pops' the front barrel out by about an inch to enter shooting mode. 

When fully collapsed the new 28-70mm is more compact than the Canon’s RF 24-105mm F4L IS USM lens (Image credit: Future)

When both lenses are set to 70mm they are a similar height (Image credit: Future)

The Canon’s RF 24-105mm F4L IS USM can zoom in further to 105mm so it becomes a little longer than the new 28-70mm at the top end (Image credit: Future)

This means it's really compact when stowed away, but extends when the lens is in use. In fact, when fully extended to 70mm, it has a length of 138mm, which is very similar to the length of the 24-105mm f/4L at 70mm.

Also, as a non L-series lens, its image quality inevitably won't be up to par with optics  that do wear Canon’s coveted red ring – though I’ll assess image quality more thoroughly in a moment.

Weather sealing is usually reserved for Canon's elite L-series optics, but here it is on the Canon RF 28-70mm f/2.8 IS STM with seals around the mount, zoom and focus rings and its switches (Image credit: Future)

One great feature that it does borrow from L-series glass is weather sealing – which isn’t something you usually see on Canon lenses without a red ring, though it’s a very welcome addition to see seals around the focus and zoom rings, the mount and the lens switches to keep dust and water out. 

Unfortunately, unlike L-series lenses that come with a lens hood in the box, the EW-73D hood for the 28-70mm f/2.8 is sold separately at a pricey $35 / £48!

Other noteworthy features include a 67mm front filter thread and closest focusing distance of 27cm at its widest focal length of 28mm.

Canon RF 28-70mm f/2.8 IS STM: Performance

I had a brief couple of hours to test a production sample of the Canon RF 28-70mm f/2.8 IS STM at Canon HQ in the UK, so stay tuned for the full review with more detailed analysis and full lab tests coming soon. 

However, my preliminary findings were very positive. I found the autofocus to be very snappy and quiet, as you’d expect from an STM (stepping) motor, which makes this lens a good choice for photographers and videographers, or hybrid shooters that like to mix it up.

You have to twist the zoom ring a little to 'pop' the front element of the Canon RF 28-70mm f/2.8 IS STM lens out so that you can start shooting (Image credit: Future)

Having to twist the zoom ring to the 28mm mark before you can start shooting can be a bit frustrating – but at least there’s no lock button you have to press before twisting, which would get in the way and slow things down. 

We’ve seen this design in other optics for many years now, notably on smaller lenses for APS-C and Micro Four Thirds cameras, but it’s a bit of a headturner to see this design used for a full-frame Canon lens. Though for portability reasons, it totally makes sense.

The Canon RF 28-70mm f/2.8 IS STM promises lens stabilization of up to 5.5 stops, or up to 7.5 stops (7 in the corners, per new CIPA ratings) when mounted to an EOS R body with image stabilization.

Shooting at 70mm with the aperture wide open produces lovely shallow focus effects and round bokeh (Image credit: Future)

Closing the aperture down to f/5.6 brought more of the background into focus. It also made our subject's eyes sharper too (Image credit: Future)

I didn’t get a chance to thoroughly test the IS during my short hands-on period with the lens, but images I took handheld all looked nice and sharp – though I’d have liked to have slowed my shutter speed more to really put it through its paces.

I shot RAW with my EOS R6 Mark II and EOS R5 cameras and was overall impressed with the image quality. There was some vignetting when shooting wide open at f/2.8, though it was easy to fix in the post production. I imagine this would be fixed for in-camera JPEGs, which is what I found when shooting with the Canon 10-20mm f/4L IS STM.

Shooting in RAW the lens showed quite a bit of barrel distortion at 28mm and vignetting was also apparent at f/2.8, though we expect in-camera JPEG processing will remedy this and there will be a profile to correct these distortions in post-production (Image credit: Future)

Zooming in to 70mm we saw some pincushion distortion where the straight lines of the bookshelf appear to bow in towards the middle of the lens. This is a RAW image and I expect it to be fixed with the in-camera JPEG processing and with a lens profile correction for Adobe Camera Raw in the future too (Image credit: Future)

Comparing the RAW files between the 28-70mm f/2.8 and the 24-105mm f/4L showed that the new lens had much more barrel distortion at its wide end and pincushioning at the long end, whereas there was virtually none in the L lens – its horizontal and vertical lines remained practically straight.

I also saw vignetting in the 28-70mm when shooting wide open, and this didn’t clear up until the aperture was closed down to about f/5.6. Is it optically perfect? No, but then I wouldn’t expect it to be – and with in-camera adjustments and lens correction presets in RAW editing, it’s not a huge deal.

This white lotus flower made a striking subject so we zoomed in to the maximum 70mm focal length to make it larger in the frame. A wide aperture of f/2.8 helped isolate the flower from the rest of the scene with a shallow depth of field (Image credit: Future)

Closing the aperture down to f/6.3 brought more clarity to this composition, the heavy vignette seen when shooting wide open is also totally gone (Image credit: Future)

What can be said for the image quality of the Canon RF 28-70mm f/2.8 is that it is nice and sharp across the frame, and this gets even better when closing the aperture to a middle value like f/5.6. I also saw virtually no signs of chromatic aberration (fringing).

In summary, the image quality doesn't really concern me. It follows Canon’s growing trend of sacrificing the optical quality by fixing it in post-production and therefore enabling the lens to be made smaller and lighter. We saw the same thing with Canon’s RF 10-20mm f/4L IS STM, which also relied on post-production to polish up its images, and that is regarded as one of the best wide-angle L lenses you can buy.

Canon RF 28-70mm f/2.8 IS STM: Verdict

With the ongoing cost of living crisis, people are still struggling financially. So the Canon RF 28-70mm f/2.8 IS STM is a very welcome addition to the RF family, expanding the range to 52 lenses (including teleconverters) and giving users another more affordable option for kit lens upgrades.

The Canon RF 28-70mm f/2.8 IS STM costs £1,249.99 in the UK and, while it shares the same aperture and a similar focal length to the RF 24-70mm f2.8L, the standard trinty costs twice as much at £2,519. 

Its closest comparison is actually from the RF 24-105mm f/4L, which costs £1,389. So users will have to weight up whether they want the extra portability and wider aperture of this new lens, or go for a bigger and heavier optic with a slower aperture – but one that comes with a red ring, and delivers sharper images with less distortion. 

There's no right or wrong answers here, it will just be down to which suits you best – though if you're on a super strict budget, the 10% difference in price might sway you.

Should you buy the Canon RF 28-70mm F2.8 IS STM?

✅ Buy it...

• If you're looking for versatile kit lens that can do it all
• If you need a super wide maximum f/2.8 aperture for low light or astro work

🚫 Don't buy it...

• If you want the very best quality you'll be better with an L lens
• You don't don't want to wrestle with one lens ring doing the job of three

Alternatives