Get all your news in one place.
100’s of premium titles.
One app.
Start reading
The Guardian - UK
The Guardian - UK
Entertainment
Katie Hawthorne

Beabadoobee review – singer-songwriter cautiously ups the rock ante

Beabadoobee performs at O2 Academy Glasgow
Seen in real time … Beabadoobee performs at O2 Academy Glasgow. Photograph: Tommy Davis

Beabadoobee’s stage decor – huge white drapes, an artfully placed stepladder and a dozen cans of paint – heavily implies that the indie rock singer-songwriter is in the middle of a transformation. Opener and sun-blasted recent single California makes the same case: “Wanted to change, it took a big fight,” she sings, leaning out to an eager crowd. “Call it a bluff, you’ll see it real time.”

Beatrice Laus’s star has been rising since 2017, but this summer her Rick Rubin-produced third album This Is How Tomorrow Moves earned her first UK No 1. Now 24, she’s said the record is about the “confusing world of becoming a woman”, while some of those changes she heralds on California include a healthier, long-view approach to touring.

There’s a nonchalance to tonight’s opening run; across songs from all three albums, Laus sings about making out and self-harm with a lightness of touch and sets the room pogoing with a beckoning hand for 10:36, her 2022 single about deep loneliness. She’s still working from the same eclectic references – the fuzz of 90s alt rock, bossa nova, cabaret, shoegaze and retro instrumentation – but this tour hints at all-out rock band potential.

Standout album track One Time has an uneasy bassline and a great guitar shred from bandmate and album co-producer Jacob Bugden, while lead single Beaches has a muscled-up riff and a clear-eyed vision: “I’m sure now, I’m sure!” Laus sings, with visible feeling, even as her breathy, delicate voice is lost in the mix. She’s often drowned out tonight; her vulnerable vocals are so suited to intimacy and texture that it seems tricky to scale them up. But then she finds an extra gear for Together, a self-destructive single from debut Fake It Flowers, and compellingly holds her own.

“I can’t even tell you how nervous I was getting on this stage,” she admits, later. “Thank you for making me feel like I’m enough.” Perhaps her nerves showed in this show’s restraint; it felt measured and careful, without the total conviction she sings of – but Beabadoobee’s pushing for more, in real time, and it’s compelling to watch.

• Beadbadoobee plays O2 City Hall, Newcastle, 13 November, and on UK tour until 21 November, details here

Sign up to read this article
Read news from 100’s of titles, curated specifically for you.
Already a member? Sign in here
Related Stories
Top stories on inkl right now
One subscription that gives you access to news from hundreds of sites
Already a member? Sign in here
Our Picks
Fourteen days free
Download the app
One app. One membership.
100+ trusted global sources.