The ugly side of beauty, Tjorg Douglas Beer's installation depicts strange amorphic creatures with their wares. Diamonds and Bones, 2010, installation, different materialsPhotograph: Florian Schneider/PRMany of Beer's paintings focus on the hysterical paranoia of 21st-century living. General Threat, 2011, paintingPhotograph: PREnchanting and inventive, Beer creates Miro-like paintings of a surreal nature. Man with a Mind II, 2011, paintingPhotograph: PR
Beer's childlike vision of a mad world is darkly comic. Princess Utopia, 2011, paintingPhotograph: PRPhotographer Annette Kelm transforms everyday objects into sculpture by staging them against disparate patterns. Frying Pan, 2007, photograph Photograph: Courtesy Herald St, London and Johann König, BerlinFlying in the face of reality, Kelm plays with surface tensions. Yellow (paisley), 2010, photograph Photograph: Courtesy Herald St, London and Johann König, BerlinKelm makes the pedestrian alien in her simple studies of everyday objects. Anonymous, lilac clock bag, 2007, photograph Photograph: Courtesy Herald St, London and Johann König, BerlinL'enfant terrible Jonathan Meese subverts our reading of art history with his raucous works. Die Saalhautyng der Mickrigen Realitat (Diktatyr der Kunst de PYPP), 2008, oil and mixed media on canvasPhotograph: Jochen Littkemann/Courtesy Stuart Shave/Modern Art, London and Contemporary Fine Arts, BerlinSpitting at sacred cows, Meese's art plays a Nietzschean game. Chef de Chef de Ponypony of Baby, 2008, oil and mixed media on canvasPhotograph: Jochen Littkemann/Courtesy Stuart Shave/Modern Art, London, and Contemporary Fine Arts, BerlinCombining folklore with film, Jonathan Meese's sculptures have a timeless quality. Mama Johnny (Noel Coward is Back), 2005, Bronze sculpturePhotograph: Courtesy Stuart Shave/Modern Art, London, and Contemporary Fine Arts, Berlin
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